Saturday, July 31, 2010 04:24

Posts Tagged ‘Broadway. Theatre’

Review of Musical : Death Of A Salesman

Friday, October 2nd, 2009

Arthur Miller has expressed his social concerns in each of his work from his first play to Death of a Salesman. His life experience in Depression are also present in many of his works.

It is the Depression which influenced Miller’s sense a person’s self and towards society. This in turn influenced his words. These ideas are expressed best in Death of A Salesman. The play was initially named “Inside His Head”, and it captures in whole the idea of society which Miller had in mind. The expression of his idea then gave him Pulitzer prize in 1949. It is also known as his masterpiece.

The main character in this play is Willy Loman, who wants to become successful and respected in society, not knowing that society in itself is unstable just as Willy is. He choose popularity and material as his choice of things to purse, which eventually brought him to his downfall. At his age of 63, he then faces destruction and retirement.

Throughout the play, Willy argues that he is a reputable businessman, honorable husband and good father, however, he still cannot face the facts that his own life is falling apart. He can no longer control his own thoughts, and evident from the car which he always allows to slip from the road. He also cannot pay off his bills, his sales keep dropping, while his sons seem not be successful.

Willy is the idea of today’s “ordinary man” which is a modern day tragic hero. He does not have a dragon to slay, but has to face challenges in society such as failure, instability, and getting used to being rejected. He asks himself why he is always contradicted while not seeing that it is his own life that is full of contradictions.

His car then changes from a fine vehicle to becoming a total junk, while he also face the fact that he talks a lot is overweight and not attractive, still, he argues on his gifted persuasion skills and his ability to please others.

In the final act, Willy was shown to be a tragic hero. He steered his car off the road and finalizes with many avoided suicide attempts. Still, Willy believed that money given by the insurance company from a suicide will make him be a sufficient provider of his family. It is therefore the real picture of how an ordinary man tries to struggle in society and how society views such man.

Review of Musical : Wicked

Friday, September 25th, 2009

The musical “Wicked”, now playing in New York, London, and Chicago is about finding out the truth by looking into the past and see what happens behind the scene. You must find out things that you knew well and really discover what actually occurred. By doing this you will know what actually happened and how things now actually unraveled.

This musical is one of the creative ones, where we are entertained since start to end by getting in touch with the characters which are supporting cast for the famous story “The Wizard of Oz”. The main characters are Galinda, the Good Witch of the North and the antagonist Elphaba, the Wicked Witch of the West. We can also find Nessarose, the Wicked Witch of the East.

It started with Glinda talking to Oz after the death of the last wicked witch, however when it was asked how Glinda came to know her, we then get back into the past and one thing after another start to be revealed. It is based on the novel authored by Gregory Maguire, with the same title, and based on the L. Frank Baum novel.

The story sends a message that we should not see things just as they are, because there are always things behind these. It also tries to find out the how things that is considered good came to be, and what is considered to be evil, also why people seem to be evil or good. We are then given the view of investigation effects of prejudice, and how fame and politics can corrupt people.

“Wicked” is a very enjoyable show, as it gives us a very spectacular view. The scenery used in the show is very intricate, and is very supportive for all actions on made on stage. The costumes used by the characters are very well made and also are the beautiful makeup. The actors did a splendid job in acting the story, while all the warmth and comedy in the script was given beautifully.

Despite the splendid acting, scenery, costumes and makeup, there was a small drawback which people loving musical will notice right away. We do not leave the building with a song that just sticks in our head after leaving the theatre. I believe, every musical should have at the least 1 song which will make you think in your mind “I definitely must get the soundtrack to the musical”.

Still, I will definitely recommend “Wicked” for all who enjoy good cast and acting coupled with beautifully made costumes and scenery. Thumbs up!

The Importance of Introducing Theatres to Children

Friday, September 18th, 2009

Shakespeare once wrote that “All the world’s a stage, and all the men and women merely players”. No one ever stated the “The world is a science lab” or that “The world is a chemistry club”. The world is a stage for us all. It is for this reason theatres are important.

Shakespeare may be a little biased towards theatres as he is playwright, still, if we think about it, whatever we do is actually a story of ourselves with other people among us being the other characters with interact with. We write our own play whether we realize it or not.

I value the arts and had joined theatre during junior high, which continued to college where I had taken some theatre classes. When my son was three years old, I began taking her occasionally to theaters where I would work part time. He was enjoying himself a lot while all the staff in the theatre knew and loved him present. He loved observing light sets, costumes and decorations for each play. When he reached four, he could watch a full play and started a debut in the children chorus of Seussical.

After which, she has then gone to shows in various regional theaters, community theaters, and even to Broadway. Not everyone thinks that theatres are important for kids, they may think that the kids do not like theater. Well, although they may not be interested directly towards art or music, they will start to get interested to the fancy colors of the costumes and decorations on stage. Sooner or later, they will enjoy the music.

During my last position in the theater, I handled productions with children performances throughout the school year, notably 5 to 6 times a year. It was then, hundreds of students will come by bus to the theater to watch. It was a first time experience for some, and being able to see their eyes light up makes me create a production with children performances worth it.

Theatre and the arts are important in the long term only to some of us. Still, although we know that science shelter, feed, heal and keep us alive, it is arts, culture and humanities that are the reason we stay alive. They are passed on throughout centuries and across generations. It is these arts that make us human and humane, and because of this it is important to pass on as early as possible to our children these arts, by taking them to your local community theatre.

Review of Musical : Chicago

Friday, September 11th, 2009

Chicago struck me as a whirlwind of dreams, deceit and corruption all wrapped up in a sultry package of feather boas and neon lights. The themes within Chicago rise and fall as tides, reappearing amongst each other to pose before us the raw, ruthless and condescending human nature. For this purpose, Chicago provides two platforms that always bring out the true nature and intention of people, guaranteed to be cut-throat and dramatic: Showbiz and the American legal system. These are interesting dynamics to share the stage, and while it may seem an odd match at first, it becomes quite clear how much they both depend on the smoke and mirrors of those who have put themselves in just the right places to manipulate it.

Following the story of the demure, hopeful Roxie, we stumble through her pitfalls and accomplishments along her road to Vaudeville. Seeing things as they appear through her eyes, we are leant to give her pause and sympathy, even as she is dripping with lies and finally a full-blown ego. We see her first as the hopeful fan, gazing longingly at Velma Kelly, envious of her freedom to flaunt her sexuality and talent openly and receive such adoration for it. Roxie reaps justice as her own, discarding those she believes to be lying to her or useless in her plight for fame. At one climactic point she is so taken with herself that she nearly denies the help of Billy Flynn, basking in her fifteen minutes of fame and nearly blinded to the fact that she is close to looking death in the face.

The injustice in this work is both frequent and fully accepted by the characters, even as the consequences made blatant and the innocent prosecuted. This is an every-man-for-himself atmosphere and there seems to be only a candy-coated ending for only the most deceitful, those who came out ahead of the game for all their viciousness. Both entertainment and judicial standings are unmasked, stripped of their honorable, positive exterior. We are looking inside these two institutions, and the gears are indeed dirty, greasy and grinding against each other to make it all work. For those on the outside, unaware, it all appears to be polish and order.

Chicago certainly makes the most of it’s musical endeavors. Not only did the music emphasize points of importance and character development in the story, but it also moved the story along, becoming an integral part of the play. This added another dimension of potential to the music, leaving the audience to anticipate musical numbers to provide exciting twists and fast-paced action sequences. The music also becomes the main vehicle to Chicago’s sexual appeal. Throughout the play, in sequences where Roxie is fantasizing or making sense of someone she is meant to idolize, characters (including herself) are always depicted as unleashed sexual mistresses, obviously a repression she longs to break free of. She even puts Billy Flynn in her musings as surrounded by beautiful, scantily-clad women at his beck and call. It is hard to imagine Roxie’s experience unfolding without the aid of the musical performances, our source of knowing how she perceives what is going on inside and around her.

An exception to the dazzling numbers full of writhing body parts and illicit costumes is that of Amos and his burst of crooning. Here is the one guy who has remained faithful, honest and dependable for the duration. Even as the cruel intentions of others are dumped upon him, he carries on, nursing a broken heart and his own humble aspirations. In his song, we see that Amos recognizes his position in the world and that he isn’t happy about it. Though he feels it’s unavoidable, he mopes without ambition to inspire change. We see also a pitiful, submissive German inmate, who, without ability to communicate or scheme her way out as the others, met her demise as the only woman professing innocence and remorse. These two complete the picture, offering a view of the other side of the spectrum. Certainly not given enough exposure to warrant them character status of Roxie or even Mama, they are placed in the background where it seems the honest belong in this world where survival of the fittest seems to be the style everyone’s wearing.

The characters solidly depict the intertwining of preying upon the predator, of success and failure among those who would step on anyone that is naive enough to show an inkling of ability to aid or hinder them in their greed and self-absorption. Here we see not only the plotting and relationships of the antagonists, but also a brilliantly mocking statement about the media and frenzy that it can instill in the public. Our celebrity-centered culture chews so readily on what appears in the papers, spoon-fed to us until people of no credibility or talent can rise to a celebrity position in the hearts and minds of the majority. Ultimately it doesn’t seem to matter anymore why someone is in the news. Just as long as they are put within our daily sights, we can all be comfortable with knowing their face and affording them respect for it. We see Roxie practice her act to become the latest America’s sweetheart, poster child for the evils of gin and jazz. Velma meanwhile obsesses over attempts to top her rival at every turn, all unknown to the blinded public eye, which accepts their every notion.

Chicago thrusts forward a story that displays individuals working an aggressive charm and deceptive allure to achieve what they most desire. This is a rich flow of injustice and scandal, opening us up to see that things might not always be what they seem. Here is a playful romp through the cynical world where the innocent woman dies, the good guy is left alone and the murderers and swindlers are all smiling in the end, misted in glitter and class. Chicago is delivered with all the pizzazz and style that a scandalous story as this depends and flourishes upon. We can definitely draw sense from this pool of sequins and song to apply in our own experiences of celebrity acceptance, if only we had a chorus of nearly-naked dancers to aid in our ponderings.

5 Secrets to Becoming an Actor

Friday, August 21st, 2009

When you just start out in the business it can all get very intimidating. First where do you start? What should you do? How do you get acting jobs? How do you present yourself? These are just a few of the hundreds of questions that beginners ask.

First thing you could do is look around your town for a drama group. This will help you get a foot in the door at least. Look in the newspapers and on-line to find one that fits around your daily life. Many drama groups get together in the evening and weekend. So going to one shouldn’t be a problem. This will build up your confidence, teach you a few basic acting tips, and help you on your way to becoming an actor.

Secondly start off small, but dream big. Sitting around waiting to be discovered for a big a-list movie to come along is very, very, very rare. The majority of actors read and try to improve their skills with smaller jobs they have got by themselves. Read novels, plays, and scripts anything you can get your hands on. That way you can explore different characters and story lines.

Join an extra agency to get experience on a set and on stage. Many productions on stage just want a few people standing in the background to make the scene seem more real to the audience. It’s the same for films. There are so many actors in short films, TV series, and feature length films etc that are there to get experience. Try this route and you may also get paid.

The fourth step would be to create a resume. All actors need a resume, even if you have no previous experience. Write your name, contact details and any skills that you have. Skills such as horse riding, skiing, Tai kwon doe etc. All these examples will make you stand out. Also include your interests and hobbies as well as your special skills. There are many places on line, which help create a resume.

Lastly get a head shot done. This will be the picture that you send on to potential employers. This is what you are going to sell to people. Try to make sure the head shot shot is just that. A shot of your head full on so the onlooker can see all of you.

So there are your 5 steps, just to sum up
1.Join a drama group
2.Read and get to know different characters
3.Join an extra agency
4.Create a resume
5. Get a head shot done.

Review of Musical : Legally Blonde

Friday, July 31st, 2009

I will admit; I was a bit skeptical when I first heard of Legally Blonde-The Musical. I was never one of those girls who watched the movie; I didn’t really understand what the big fuss was about. But when one of my friends made me listen to the soundtrack, I was hooked; from the opening number, Ohmigod, You Guys to the very end, I was laughing and singing along.

The story is the same from the Movie to the Musical: A very typical sorority belle, Elle Woods of Delta Nu is in love with her boyfriend, Warner Huntington III. As she is getting ready to say yes to his proposal, Warner is intent on breaking up with her, insisting that as he is going to Harvard to become a lawyer, he needs someone Serious. After a small crying jag, Elle rallies and is back on her feet, determined to get in to Harvard and show Warner that she is What You Want. With quite a bit of effort and sacrifice, and a great dance number instead of a personal essay, Elle Woods makes it into Harvard.

The Harvard Variations introduce the audience to several of her classmates, mostly self-absorbed and self-important individuals, with the exception of Emmett Forest. Elle and Warner have a class together, Criminal Law 101, taught by Professor Callahan, who tells them that only the good lawyers are sharks, and to watch for the Blood in the Water. He then reminds them that he will select four sharks from their class to intern with him. Vivian, Warner’s new girlfriend, soon kicks Elle out of class. Elle and her Greek Chorus (the girls of Delta Nu) are Positive that Elle can win back Warner, but he walks away. Desperate, Elle wants to try something she has never done before: she’s going to dye her hair brunette. Talked out of it by her salon dresser Paulette, they commiserate about their lost loves, while Paulette sings of Ireland.

While at the salon, Elle is invited to a ‘costume’ party hosted by Vivian. However, when Elle arrives, dressed as a playboy bunny, the party is not in costume. Elle perseveres and tries to make Warner believe she is Serious, to no avail. Later, crying on a park bench, Elle is found and comforted by Emmett, who tells her that she needs to get a Chip on her Shoulder to succeed. Elle tries it, and tutored by Emmett, Elle begins to succeed in class. When the new interns are announced, Warner and Vivian are both selected, and Warner takes the opportunity to propose to Vivian. Elle is ready to give up, until Emmett tells her that she was also selected as an intern. Elle realizes that she feels So Much Better.

Act Two starts with Brooke Windham, formerly of Delta Nu, now a workout star of Whipped into Shape, being accused of murdering her sixty-year-old husband. She claims to have an alibi, but will not tell it to Callahan or any of the interns, until she finds out that Elle is a Delta Nu. Brooke soon reveals her alibi, that she was having liposuction, but that if it were made public she would lose her fitness enterprise. Callahan, disgusted with Elle’s secrecy and Emmett’s attempts to defend her, criticizes them both and tells them to take the rest of the day. Elle takes Emmett shopping, guiding him to look good and Take it Like a Man, as the audience realizes that Emmett is falling in love with Elle.

Later, at the salon, Paulette tells Elle that she is falling in love with the new delivery guy, Kyle B. O’Doyle, but that she doesn’t know how to get him to notice her. Elle, and several other salon patrons, teach Paulette the Bend and Snap 99.99 percent effective on strait men. Paulette is reluctant, but tries it on Kyle, only to ’snap’ his nose. At the trial, Brooke’s pool boy testifies against her, but Elle, accidentally doing the bend and snap in front of him, realizes by his non-reaction that he is gay. Callahan doesn’t believe her, resulting in a discussion There, Right There! of how to tell if someone is gay or European. Emmett manages to crack him, and all realize that he is gay and European.

Over drinks later, they toast Emmett and Elle, and Warner is sent away. Callahan speaks highly of Elle, and asks her to stay as everyone else leaves. He hits on her, kisses her, and when she refuses his offer, he fires her, saying the only reason he hired her is for her body, not her mind. Elle is devastated, and decides to leave, go home and be Legally Blonde. When Emmett tries to stop her, she tells him what happened, and locks him out. When Elle goes to tell Paulette goodbye, Vivian stops her, and tells Elle that she needs to go back to the case. Elle agrees, and leads her parents, the girls of Delta Nu, and everyone else in a parade back to the courtroom, where Brooke fires Callahan and makes Elle her new legal council, helped by Emmett. Elle questions Miss Windham, the stepdaughter of Brooke. Elle breaks her defense and wins the case. Elle becomes Valedictorian and Paulette tells what happens to everyone as Elle sings to Find My Way. Finally Elle proposes to Emmett.

This musical is fun, and very positive. Elle Woods undergoes a dramatic change from blond bimbo to a cool and professional lawyer with a great fashion sense. The music is fun and upbeat, keeping the story going and making audiences smile at the same time. Many of the characters start out as stereotypes, but most change into individual personalities by the end of the show. There are lots of laughs, and there is a wonderful message about being yourself, no matter the obstacles. It’s a great musical for girls of all ages, and guys will like it too. I highly recommend this musical as a break from the ordinary. After all – it’s fun to be blonde!

Review of Musical : Rent

Friday, July 24th, 2009

Get out the Kleenex boys and girls! If you are looking for a musical about sex, drugs, and rock-n-roll, this isn’t for you. While RENT includes these components, the story line focuses on what’s outside of the box: Who are these people? What is happening to them? Where can they go in time of need? Why is society treating them as being disposable? While this musical will have you dancing around and getting that adrenaline pumping it will also have you cuddling with your tissues and wishing you could jump in and help.

A story of young artists, Rent employs eight main characters. Mark is a starving artist who embellishes on his film making. Roger is a starving musician that made choices along the way that resulted in him contracting HIV. Benny is a fellow Bohemian, once friend, and is now the landlord. Angel is a cross dresser who enjoys playing the drums; he also has contracted Aids. Tom Collins, or Collins, is a traveling university professor of philosophy who falls in love with Angel, and also suffers from Aids. Mimi is a night time exotic dancer and drug addict, who also has contracted HIV. Joanne is a lesbian lawyer who falls for Maureen. Maureen is a bisexual starving artist, who once dated Mark and is now pledging her future to Joanne.

And who can even mention the musical Rent without mentioning Jonathan Larson? Larson exemplified his unique writing style when he wrote Rent; a musical about alternate lifestyles, drug addiction, Aids, and death. In fact, Larson was so adamant towards this musical that he waited tables at a diner while composing songs for the musical. It is a rock musical written with a Bohemian twist, and depicting the lives of individuals affected by HIV and Aids. It is a story about love, life, and friendship. It is a story of hidden hope and the contributions that all individuals give back to society.

Each character had dreams, some were shattered and some were not. You will see the lives of the characters blossoming and then some plummeting. You will witness the effects of living the lifestyles that these characters lead. You will be overcome with excitement as the cast dances and sings La Vie Boheme; you will fall in love once again; you will be filled with sorrow when death is knocking. You will be taken in and emotionally moved by the intricate details that Larson implemented into this musical web. The musical Rent is a must see for those that wish to make a difference in their individual life and those who wish to change our future!


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