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Archive for July, 2009

Review of Musical : Legally Blonde

Friday, July 31st, 2009

I will admit; I was a bit skeptical when I first heard of Legally Blonde-The Musical. I was never one of those girls who watched the movie; I didn’t really understand what the big fuss was about. But when one of my friends made me listen to the soundtrack, I was hooked; from the opening number, Ohmigod, You Guys to the very end, I was laughing and singing along.

The story is the same from the Movie to the Musical: A very typical sorority belle, Elle Woods of Delta Nu is in love with her boyfriend, Warner Huntington III. As she is getting ready to say yes to his proposal, Warner is intent on breaking up with her, insisting that as he is going to Harvard to become a lawyer, he needs someone Serious. After a small crying jag, Elle rallies and is back on her feet, determined to get in to Harvard and show Warner that she is What You Want. With quite a bit of effort and sacrifice, and a great dance number instead of a personal essay, Elle Woods makes it into Harvard.

The Harvard Variations introduce the audience to several of her classmates, mostly self-absorbed and self-important individuals, with the exception of Emmett Forest. Elle and Warner have a class together, Criminal Law 101, taught by Professor Callahan, who tells them that only the good lawyers are sharks, and to watch for the Blood in the Water. He then reminds them that he will select four sharks from their class to intern with him. Vivian, Warner’s new girlfriend, soon kicks Elle out of class. Elle and her Greek Chorus (the girls of Delta Nu) are Positive that Elle can win back Warner, but he walks away. Desperate, Elle wants to try something she has never done before: she’s going to dye her hair brunette. Talked out of it by her salon dresser Paulette, they commiserate about their lost loves, while Paulette sings of Ireland.

While at the salon, Elle is invited to a ‘costume’ party hosted by Vivian. However, when Elle arrives, dressed as a playboy bunny, the party is not in costume. Elle perseveres and tries to make Warner believe she is Serious, to no avail. Later, crying on a park bench, Elle is found and comforted by Emmett, who tells her that she needs to get a Chip on her Shoulder to succeed. Elle tries it, and tutored by Emmett, Elle begins to succeed in class. When the new interns are announced, Warner and Vivian are both selected, and Warner takes the opportunity to propose to Vivian. Elle is ready to give up, until Emmett tells her that she was also selected as an intern. Elle realizes that she feels So Much Better.

Act Two starts with Brooke Windham, formerly of Delta Nu, now a workout star of Whipped into Shape, being accused of murdering her sixty-year-old husband. She claims to have an alibi, but will not tell it to Callahan or any of the interns, until she finds out that Elle is a Delta Nu. Brooke soon reveals her alibi, that she was having liposuction, but that if it were made public she would lose her fitness enterprise. Callahan, disgusted with Elle’s secrecy and Emmett’s attempts to defend her, criticizes them both and tells them to take the rest of the day. Elle takes Emmett shopping, guiding him to look good and Take it Like a Man, as the audience realizes that Emmett is falling in love with Elle.

Later, at the salon, Paulette tells Elle that she is falling in love with the new delivery guy, Kyle B. O’Doyle, but that she doesn’t know how to get him to notice her. Elle, and several other salon patrons, teach Paulette the Bend and Snap 99.99 percent effective on strait men. Paulette is reluctant, but tries it on Kyle, only to ’snap’ his nose. At the trial, Brooke’s pool boy testifies against her, but Elle, accidentally doing the bend and snap in front of him, realizes by his non-reaction that he is gay. Callahan doesn’t believe her, resulting in a discussion There, Right There! of how to tell if someone is gay or European. Emmett manages to crack him, and all realize that he is gay and European.

Over drinks later, they toast Emmett and Elle, and Warner is sent away. Callahan speaks highly of Elle, and asks her to stay as everyone else leaves. He hits on her, kisses her, and when she refuses his offer, he fires her, saying the only reason he hired her is for her body, not her mind. Elle is devastated, and decides to leave, go home and be Legally Blonde. When Emmett tries to stop her, she tells him what happened, and locks him out. When Elle goes to tell Paulette goodbye, Vivian stops her, and tells Elle that she needs to go back to the case. Elle agrees, and leads her parents, the girls of Delta Nu, and everyone else in a parade back to the courtroom, where Brooke fires Callahan and makes Elle her new legal council, helped by Emmett. Elle questions Miss Windham, the stepdaughter of Brooke. Elle breaks her defense and wins the case. Elle becomes Valedictorian and Paulette tells what happens to everyone as Elle sings to Find My Way. Finally Elle proposes to Emmett.

This musical is fun, and very positive. Elle Woods undergoes a dramatic change from blond bimbo to a cool and professional lawyer with a great fashion sense. The music is fun and upbeat, keeping the story going and making audiences smile at the same time. Many of the characters start out as stereotypes, but most change into individual personalities by the end of the show. There are lots of laughs, and there is a wonderful message about being yourself, no matter the obstacles. It’s a great musical for girls of all ages, and guys will like it too. I highly recommend this musical as a break from the ordinary. After all – it’s fun to be blonde!

Review of Musical : Rent

Friday, July 24th, 2009

Get out the Kleenex boys and girls! If you are looking for a musical about sex, drugs, and rock-n-roll, this isn’t for you. While RENT includes these components, the story line focuses on what’s outside of the box: Who are these people? What is happening to them? Where can they go in time of need? Why is society treating them as being disposable? While this musical will have you dancing around and getting that adrenaline pumping it will also have you cuddling with your tissues and wishing you could jump in and help.

A story of young artists, Rent employs eight main characters. Mark is a starving artist who embellishes on his film making. Roger is a starving musician that made choices along the way that resulted in him contracting HIV. Benny is a fellow Bohemian, once friend, and is now the landlord. Angel is a cross dresser who enjoys playing the drums; he also has contracted Aids. Tom Collins, or Collins, is a traveling university professor of philosophy who falls in love with Angel, and also suffers from Aids. Mimi is a night time exotic dancer and drug addict, who also has contracted HIV. Joanne is a lesbian lawyer who falls for Maureen. Maureen is a bisexual starving artist, who once dated Mark and is now pledging her future to Joanne.

And who can even mention the musical Rent without mentioning Jonathan Larson? Larson exemplified his unique writing style when he wrote Rent; a musical about alternate lifestyles, drug addiction, Aids, and death. In fact, Larson was so adamant towards this musical that he waited tables at a diner while composing songs for the musical. It is a rock musical written with a Bohemian twist, and depicting the lives of individuals affected by HIV and Aids. It is a story about love, life, and friendship. It is a story of hidden hope and the contributions that all individuals give back to society.

Each character had dreams, some were shattered and some were not. You will see the lives of the characters blossoming and then some plummeting. You will witness the effects of living the lifestyles that these characters lead. You will be overcome with excitement as the cast dances and sings La Vie Boheme; you will fall in love once again; you will be filled with sorrow when death is knocking. You will be taken in and emotionally moved by the intricate details that Larson implemented into this musical web. The musical Rent is a must see for those that wish to make a difference in their individual life and those who wish to change our future!

Intro to Capoeira

Friday, July 17th, 2009

Capoeira is an African-Brazilian dance that effectively blends the art of dance with martial arts. Arranging the body in a continuous motion, Capoeira is a disguised choreography that introduces a range of excellent techniques and movements.
Although it originally started as a ritual dance performed by the African slaves in Brazilto express defense and attack to regain freedom, Capoeira soon evolved into a martial art. Capoeira movements are vital to the game and their strength lies in the flexibility of the Capoeiristas to use them. The player should be able to move round the roda while playing.
The basic movements of Capoeira are the following:
1. Ginga
Ginga is the most common movement of Capoeira. Swinging from side to side, the player gets into the rhythm of the music and he attacks or defends. The Capoeirista moves continually dodging, feinting, attacking and evading.
Ginga uses the whole body. The arms are harmonized so that the body is not being kicked; the torso is engaged to support the feet as the player stands to attack or defend; the upper body leans back so as to avoid kicks, but also forward so as to find a chance to attack the opponent. All the movements should match the rhythm of Capoeira music played by the traditional percussion instrument, the berimbau.
To master the ginga movement, both feet should be kept shoulder width apart and then one foot should be brought back and forth forming a triangle. There are small variations of ginga between Capoeira Angolaand Capoeira Regional. In Capoeira Angola, ginga is a free move and Capoeiristas can use their unique style. In contrast, in Capoeira Regional, ginga is a controlled move leaving little room for spontaneous acting.
2. Negativa
The negativa is a significant ground move and a basic move for many other movements such as queda de rins and tezora. The player uses his body to reverse an attack by keeping a low position with the leg closest to the ground tucked to the chest, the other outspread, the stomach parallel to the ground to keep a balance and the upper arm in front of the face for protection. Negativa can also be used as a sweep. If the opponent attacks with a kick having one leg on the ground, the extended leg can be used as a hook to catch the leg on the ground and pull the opponent towards the defender.
With negativa, Capoeiristas learn to be disciplined and control their movements to the floor as they are allowed to touch the ground only with their palms and soles. In addition, they learn to quickly recover from an attack, or a fall.
Similarly to the ginga, there are small variations of negativa in Capoeira Angolaand Capoeira Regional. In Negativa da Angola, the player is much closer to the ground, while in Negativa da Regional, the player is more erect.
3. Au
Au is both an attack and a defence move that can be the foundation of a number of possible combinations. In its basic form, arms and legs are bowed and the back is curved so that the body keeps a low target profile and the player can produce a kicking maneuver. With Au, Capoeiristas learn to identify their surroundings as they mostly watch their opponent so as to avoid being kicked whilst upside-down. In effect, Au movement integrates attacks from the cartwheel and if carried out correctly it can leave the opponent shaky, unbalanced or even timid to continue.
Au movement comes in a variations known as au batido, au aberto, au batendo, au fechado and au sem mao.
4. Esquiva
Literally meaning ‘escapie’ or ‘dodge’, esquiva exists in many forms but all entail moving the head and torso to avoid an attack.
Esquiva de Baixa looks like an extemely low ginga, but the back foot is further stretched so that the body is brought closer to the ground. If the right foot is back then the left hand will placed on the floor, the right hand will be protecting the face.
Esquiva Lateral is performed with the feet put parallel on the ground, the torso brought down to the left or right and the face protected by the hand so as to avoid the opponent’s kick. This move is known as side dodge or side escape.
Esquiva Diagonal seems like esquiva lateral, but the Capoeirista advances also diagonally of to the right or left of the attack. By placing the front foot in a vertical position to the back foot, bowing down at knees in a low leap, and harmonizing the arms to keep the body balanced, the player escapes the opponent’s attack.
Capoeira can be overwhelming because it has many different moves that cannot be memorized easily. It takes a lot of practice and patience to become a Capoeira master. However, everything starts from these basic movements that serve as a basis for Capoeira kicks, escapes, takedowns and sweeps.

Learning Freestyle Dancing

Friday, July 10th, 2009

Freestyle dance is dancing to music without a choreographed routine. Thus the dance steps are not planned prior to getting out on the dance floor. There is no choreography of the moves and the dancer basically thinks on their feet. Freestyle dance can actually exist in all dance forms and this is where the term freestyle comes into play. You are basically free to do as you please. The dancer is free to make up the routine as they go. But take into account that if you are dancing a waltz to a 4/4 beat you would not normally freestyle dance using tango dance steps.

Freestyle represents freedom, freedom to explore dance steps and moves, yet is usually means that you will dance a particular style in lieu of the music you are listening to. Thus a hip hop dancer would incorporate the use of some hip hop moves while a ballroom dancer would do the same while dancing to the music of Swan Lake.

Hip hop and funk dancing are often deemed as freestyle dancing and this is where confusion often comes into play. This assumption is inaccurate as most hip hop dances are actually choreographed, more so when performed in groups. More often than not hip hop is performed at concerts and much detail is placed into the choreography of each dance. Britney Spears for instance only hires dancers whose moved are well choreographed. This is classified as uniform, unity dancing and allows the performer to dance with their backup dancers.

Hip hop and most other dance styles become freestyle when one dances in a less formal setting. High school dances are deemed freestyle dances. This is one place where freestyle is extremely popular. It allows students to take turns in showcasing their hip hop moves, without pre determining what their moves shall be. Numerous street dancers dance freestyle and the their audience often join in, basically doing their own thing. While some moves are choreographed. Most street dancing is spur of the moment stuff. Therefore they simply go with the flow, but may include a few well rehearsed or choreographed moves they deem as their signature dance steps.

Freestyle ballroom dancing incorporates use of a medley of steps which focus on part learned choreography as well as basic ballroom steps. But with ballroom freestyle you must lead or follow your partner’s basic step pattern. Therefore dancers need good communication skills to carry ballroom freestyle dancing off well. The wrong moves can totally destroy the dance.

Freestyle dancing began in the 1970’s when self expression was welcomed with open arms. Back then it was imply a case of moving and grooving to the music as you wished. This actually replaced most partner dancing, thus women and men alike did not need a partner in order to dance. But the ability to dance freestyle well relies heavily on a person’s ability to dance. ( Their sense of rhythm and knowledge of a few good up to date dance steps.)

Learning Samba Dance

Friday, July 3rd, 2009

Samba is a Latin type of dance which came from Brazil. Still, we do not usually dance in ballrooms in the United States and in Europe the Samba in its originality. In Brazil, Samba is done solo as a carnival dance. The way we dance it, is as a dynamic partner dance, in which there is body action and fast leg movements.

Samba dancers when competing usually use sexy costumes which are shiny decorated using rhinestones, while the dancers themselves cover in deep makeup. If you doing social dancing, simply wear whatever you find comfortable, so you can move freely. You are recommended to wear dance shoes even if the dance floor does not require them. Normal shoes which have soles is viable to cause damage to your leg joints.

Samba has a basic four counts which are best described as “one-and-two, three-and-four”. The ‘and’ count is in between the other beats. Therefore, count one and count three are held three quarters of a musical beat, while the ‘and’ count is held for a quarter of a musical beat. Meanwhile, counts two and four are each held for a full musical beat.

The tempo for Samba music is quite fast. You need to take small steps and keep the balls of your feet on floor with knees bent. Remember not to lower heel on the ‘and’ count to keep up pace.

Although there are many steps in Samba, the general steps are forward and back basic step. The steps are similar for both male and female, we only write the male part. The female partner needs only to follow in the other order, starting with right foot following the male and moving with him.

Samba Forward and Back for Male Partner.

Count 1: Step forward with left foot. Put weight on it.

Count and: Bring right foot to left. Then, shift your weight to balls only of your right foot. Remember not to lower your heel.

Count 2: Replace weight on left foot.

Count 3: Step back with right foot. Put weight on your right foot.

Count and: Bring left foot to right. Then, shift your weight to the balls only of your left foot. Remember not to lower your heel.

Count 4: Replace the weight on right foot.

We believe that this simple steps will let you have fun in learning and dancing Samba!


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